Nice homage to Reservoir Dogs done in the same manner as Kutiman,(which I highly recommend you check out)… meaning the video on the screen is actually the source of the sounds in the music. This one was done by a fella named knoertz. He also does a Pulp Fiction version.
Controlling a Juno 2 synth from an iPhone
Rebirth Museum
Back in 1997, Steinberg released an innovative piece of software called the Rebirth RB-338. This was the first major analog synthesizer emulator and boy did they choose something tough to emulate… the Roland TB-303 bass box, which was initially designed to be a bass accompaniement for guitar players. The TB-303 never really took off in that regard, but like so many things in the technological arena, an alternative use was eventually found, and the early house producers used it to produce what has come to be known as the “acid” sound. These little boxes, now out of prodution, became the rage for electronic music producers and soon were fetching up to $1500.
The popularity of this sound in the mid 1990s prompted Steinberg to develop the Rebirth emulator and they nailed it. The Rebirth sounds very much like the 303 and even features a number of the little nuances so characteristic of the box. Throw in some effects, arpeggiation and an 808 and 909 step drum sequencer and you had a nice little platform to work with. Now of course, analog synth emulators are all over the place and all the classics, including Moogs, Waldorfs and Prophets are well represented by Virtual Studio Technology plugins (another Steinberg development); but the Rebirth is pretty much where it all started.
And the good news, for those who might not already know… the Rebirth is now completely free to download and use.
Korg has released the DS-10 PLUS
As a fan of the original DS-10 synthesizer software for the Nintendo DS, I have to say the new features look pretty cool. This is a great tool for portable composition of ideas as well as learning some of the basics of synthesis. And the touchpad offers and X-Y input mechanism which was very helpful for me as I worked on my virtual theremin project. New features include effects, an expanded number of tracks and improvements in the sequencer and song modes as well as improved performance.
Mix – Left Coast Breakfast
I made this mix back in 2006, as a tribute and homage to the West Coast and all the wonderful talent that emerged here during the early to mid 1990s. If you were even peripherally associated with the dance music scene in Los Angeles, San Francisco or any where along the Left Coast during the mid 1990s, there is no doubt that you would be familiar with some, or many of these tracks.
In late 1993, early 1994, the Los Angeles dance music scene experienced what some would consider a rebirth. A number of factors contributed to turbulence in the scene during 1993, including numerous events getting shut down, bad promoters, and even the term “rave” had fallen out of favor. The “scene” pretty much withdrew to smaller house music clubs and afterhours.
And then it happened. The rebirth. This was an awakening of sorts which brought with it a number of incredible monthly or semi-monthly events and parties. Of note, and I certainly don’t mean to leave anyone off the list, were the Dream and Parliament parties specializing in house and progressive house. Weekly club Jungle helped promote a new and exciting sound called Drum ‘n Bass. Another weekly called Magic Wednesdays brought high quality DJ talent from around the world to shine in Los Angeles. The Moontribe desert parties were spiritual events where everyone was welcome to dance under the moon and the stars. Fresh Produce emerged, promoting a series of high quality events and high quality vibes. Last, but definitely not least were two events that I had the privilege of being directly involved with. There was Insomniac, which sought to re-energize the old school techno crowd on a weekly basis and which eventually grew into a massive promotional outfit that coordinated such events as Nocturnal Wonderland, Electric Daisy Carnival and Organic. But dearest to my heart was F.A.M.I.L.Y, featuring special guests and a regular lineup consisting of DJs Trance, Fester, Oscar D.G. and me, Mojo. No one can question the vibe, the warmth and the mutual respect and kinship that the F.A.M.I.L.Y parties engendered. It was a special time for me and so many others.
Along with these new promotion crews, there was a rebirth in the music. House music became a little edgier with the new progressive house sounds emerging. Trance became a growing force to reckon with. And then there were the breaks. Super funky breaks that could loosen up even the stiffest of wall flowers. The West Coast played a prominent role in this emerging sound, with artists and labels from Los Angeles and San Francisco – as well as Portland, Seattle and Arizona – putting out a number of terrific tracks. Not only did these tracks feature great beats, but there was an intelligence and depth to them that set them apart from much of the earlier electronic dance music. The richness of the textures, the sophistication of composition, and the emotion that was woven into these tracks all provided an incredible sonic palette for the DJs of the day to paint with.
And so this mix includes songs from labels such as Michael Knapp’s (aka Xpando) Bassex Records, which featured collaboration with artists Jason Blakemore (aka DJ Trance) as Rebirth, and Eric Davenport as Metro. There is the City of Angels label. Simply Jeff’s Orbit Transmission label produced a number of great records. Exist Dance Records founded by Tom Chasteen and Michael Kandel, was a pioneer in intelligent dance music bringing a diversity and depth in their releases that I believe is unparalleled. They remain one of my favorite labels to this day. Similarly, the San Francisco Hardkiss label by the Hardkiss brothers features music that is characterized by innovative compositions that weave a plush tapestry of mood and rhythm. Finally, I would be remiss without mentioning Peter Tall’s Bassbin Twins records, whose complex, energizing beats are quite simply, second to none.
I am forever indebted to artists such as these, for helping reestablish something magical during this period in my life. They are truly an inspiration, and I am privileged to have had the pleasure of presenting their work through the prism of my mix.
Stream: Left Coast Breakfast
Download: Left Coast Breakfast
Kaossilator Pro Demo from 2010 Namm Show
The Kaossilator Pro is an upgrade from Korg’s Kaossilator X-Y axis touchpad synth, and it has a number of noteworthy upgrades over the previous version. The Pro now features an SD card slot to save one’s work as well as a USB port to import and export to your computer. This little guy would be great for live performance as well as a portable workstation to generate ideas. It can now also be used to externally control other instruments through MIDI. Check out the demo.
Debussy’s Claire de Lune on theremin
This is a beautiful rendition of one of my favorite relaxing classical pieces. This version is played on a theremin by Randy George. Enjoy.
beatseqr
Beatseqr is a hardware step sequencer that offers real time manipulation of parameters from your favorite virtual synths or Digital Audio Workstations. Designed and developed by Steve, an old friend from my DJing days, it is built using the arduino. It boasts some very impressive capabilities such as 4 pattern looping, pattern copying and pasting, and mute and solo… all rolled up into a very intuitive hardware interface. The sliders can be assigned to various parameters of a patch for further tweaking and this is where the beatseqr really shines. Here is some video of the device being used with ReDrum, providing a general overview of the features. There are a number of other informative demonstration videos over at the beatseqr blog.
Mix – OldSkool Vinyl ThrowDown
Last week I posted about a great site devoted to oldskool techno. There are quite a few blogs, forums, youtube channels, etc, devoted to this music and the scene that emerged around it. For me, even though I stopped gigging live for the most part as I have become focused on other aspects of my life, I have continued to research and discover elements of this music. Thank you Discogs!
What is it about this music that has created such a committed and loyal following? Looking back through the prism of maturity (and I mean that in a variety of ways, including artistically) after all these years, there is plenty of criticism one can direct toward this music. I mean, the production values on many of these records was not very good, the music often simple or formulaic, many records clone samples, beats and riffs off one another and let’s face it, some of those sounds are just in your face and obnoxious. And you know what? It is every one of those things and more that keeps this music endearing to us. Of course, there is the sentimentality of a magic time in our youth. A time spent with friends, putting the struggles and troubles of the day away for an evening of dancing, hearing new sounds, and meeting new people… Ok, now I am just rambling.
In any event, here is a mix I did a few years back that I think encapsulates a wide variety of oldskool techno. Everything from Belgian techno to some harder edged acid, and particularly a lot of the pre-jungle UK breakbeat that I was so fond of when I first started buying these records back in 1992. Tracklisting included below.
Stream: OldSkool Vinyl ThrowDown
Download: OldSkool Vinyl ThrowDown
01. Genaside II – Narra Mine
02. Is That It? – State of Mind
03. Rocket – Straight Up
04. Rabbit City #3
05. Pied Piper – Dreamers
06. HHFD – Start the Panic
07. Cybersonik – Technarcy
08. Tribal Instincts EP – Rock Da House
09. Venom – I Need Your Love
10. Tribal Instincts EP – Coming On Strong
11. Criminal Minds – Baptized By Dub
12. Phuture Assassins – Future Sound
13. Progression – On a Rubbish Tip
14. Krome & Time – This Sound is for the Underground
15. 4 Hero – In the Shadow (Sunrise Remix)
16. 32 Troop – Papa Malaysia
17. Illuminatae – Dreamer
18. The Hypnotist – This is my House
19. Mr. Kool-Aid & Marco – 2001: A Soda Pop Odyssey
20. D.H.S. – The House of God (Pump Panel Remix)
21. Drax – Amphetamine
22. DJ Tim & Ortega – Heartbreak
23. Edge #9 – File 57
24. Flag – Dominate
25. E.Kude – Common Sensi
26. Sound Corp – Security Overload
27. Kickin Six Pack LP 5
28. Caspar Pound – Pioneers of the Warped Groove (Way Out West Remix)
29. Hyper On Experience – Lords of the Null Lines (Foul Play Remix)
30. N-Joi – Drumstruck
31. Blame – Music Takes You (2 Bad Mice Remix)
32. Urban Shakedown – Some Justice
Great Old School Techno Blog
Blog to the Oldskool is dedicated to raising awareness of many classic and even obscure old school techno gems from back in the day. This is the music that I first started DJing with and it will always hold a sentimental nostalgia for me. It’s hard to believe that some of these tracks are almost 20 years old already!
Scratching with an Ipod? ToneTable App Review
I purchased an app for the Ipod Touch called ToneTable, which acts as a trigger control for software like Traktor or Serrato Scratch. It sends out a control pitch signal, like the timecoded vinyl records that are distributed with such mixing applications.
The app shows a virtual record and it has a pitch control to allow beatmatching as well as realtime pitch tweaking buttons. After hooking it up to my Traktor audio interface, I was indeed able to mix with it. But I really wanted to see if it was possible to scratch with it. And while it isn’t quite as precise as real vinyl; I was very impressed with the results. Below is some video I shot to compare it scratching with tradidiotnal vinyl as well as the Traktor control vinyl. It takes a bit of getting used to and finding a way to keep the Ipod in place is a bit of a challenge, but all in all this is a very impressive little app.
With a little practice, two Ipods, a mixer and a laptop, you could certainly perfrom with this amazing piece of work.
DJ Craze Routine from 2000 World DMC Finals
Radiohead – Sail to the Moon
This beautiful song encapsulates my mood today - reflections of the past and visions of hope for the future.
I sucked the moon
I spoke too soon
And how much did it cost?
I was dropped from
Moonbeams
And sailed on shooting stars
Maybe you’ll
Be president
But know right from wrong
Or in the flood
You’ll build an Ark
And sail us to the moon
Sail us to the moon
Sail us to the moon
Sail us to the moon
Happy New Year!
May 2010 usher in a new decade of hope, innovation, art and dreams fulfilled. We have so much potential, much of which is unfortunately wasted in the wash of pettiness and ignorance. Let us look forward with a new purpose, the wind at our backs, to deliver and accept the rewards of our creativity, effort and love.

